A day in Australia celebrates the natural beauty of Australia. This exhibition showcases a new series of Paper artworks inspired by Marine Coutroutsios’s walks in the forests of Australia. These Paper cuts are her own interpretation of seeing the sky from beneath the shadows of the ferns. Each artwork from this series has different colour scheme echoing a different time of day. “My work is all about aesthetic, I play with representative and abstract designs offering more than one possible way of interpretation to trigger your imagination. I wish to uplift and bring an optimistic and colourful energy as well as a sense of wonder”.
Her popular series inspired by Australian Birds will be also exhibited for those who missed her latest show.
Marine Coutroutsios is a French artist living in Sydney since 2012. She makes Paper Art using scalpel and scissors and creates installations and sculptures for her personal art practice alongside commissions for commercial illustrations and paper installations.
8th September – 6th October
257 Clarence Street, Sydney.
Opening hours :
- Mon-Thu : 9am – 6.45pm
- Fri : 9am – 4.45pm
- Sat : 8.30am – 2.30pm
Enter through an archway and into a towering cylinder to be electrified by moving multi-coloured light.
Inspired by Middle Eastern architecture and the skyline of Dubai artist Zina Kaye has created something truly sublime. Space Folding is the first work in a new series by creative technologist Zina who professionally builds user-centred playful machines.
Space Folding translates flight data into a unique spatial experience designed to enable interpretation of complex information in new ways. The work reveals geographic and velocity patterns as well using the data to seed sensorial movement patterns.
Zina’s professional practice informed both the development and build of the work. As Managing Director of digital innovation agency Holly Sydney she’s defined an agency-wide methodology for elegant iterative prototyping. Inspired by product operations management the company separates the engineering process from the programmatic platform and brings it back together with customised creative programming glue where required.
The sculpture has been selected to be a part of the International Symposium on Electronic Art 2014 in Dubai and before it goes on tour it will be on display in Sydney. Over four days, from the 23rd of August to the 26th the work will be open to the public and the team will continue to develop the work in situ based on public interaction.
Space Folding: 23-26 August, 11am-8pm, The Rocks Pop-Up, Shop 2.05, 140 George Street, The Rocks.
The Rocks Pop-up is an initiative of Sydney Harbour Foreshore Authority to find creative uses for temporarily vacant buildings, attracting new visitors to Sydney’s historic heart.
This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.
For more information contact: Jonny Hurn email@example.com 0487 747 061
Art Pharmacy partners with the 2014 Sydney Fringe Festival to host its fifth consecutive show, The Lab.
On Thursday 4th September the Art Pharmacy will launch The Lab, an interactive gallery space which will house a selling exhibition of undiscovered contemporary art, featuring a range of original works from painters, photographers, illustrators, print makers and sculptors. Read all about The Lab →
FACULTY OF ARCHITECTURE, BUILDING AND PLANNING DEAN’S LECTURE SERIES
SHAN SHUI CITY BY MA YANSONG, MAD ARCHITECTS
5 August, 7pm
Carrillo Gantner Theatre, Sidney Myer Asia Centre, University of Melbourne
In this exciting Dean’s lecture, Ma Yansong will present the recent projects of MAD Architects and introduce the architectural idea of “Shan Shui City”. To Yansong, this idea does not just refer to nature, but is also a social ideal of a future city that reflects individual emotional response to the surrounding world. This idea could be taken as a criticism of urbanisation in contemporary China and a vision for the future of chinese cities, which should combine city density, functionality and connection between nature and city dwellers.
Ma Yansong, Founding Principal of MAD Architects, is recognised as an important voice in a new generation of architects and was hailed as one of the world’s most influential and creative young architects by ICON magazine (2008) and Fast Company (2009). This year alone Yansong has been named 2014 Young Global Leader by the World Economic Forum and was listed in the top 100 most creative people in business by Fast Company. Ranked at 53, Yansong was the only architect featured on the list.
Carmel Debreuil, the artist recognized for her quirky paintings of children on ply, is making her Sydney show debut in a group show at the popular NG Gallery in Chippendale..
“It’s so exciting to be part of the New Art Show at the NG Gallery. It’s a fantastic opportunity. Sydney has such a great art scene and the NG Gallery is one of the leaders of the fresh art scene. I’m really looking forward to the opening and seeing the response to my work,” says the hard working artist.
In the last two years alone Carmel has participated in an incredible seventeen group shows, seven solo shows, a variety of art fairs and juried competitions including the Northern Rivers Portrait Prize and the Wilson Prize in which she was a finalist. She has created well over 250 pieces and is in constant demand. Debreuil’s work has been profiled in magazines and online blogs including The Bubble out of the UK, The Design Tribe by Katrina and Aimee from the Block, Mamamia and Brisbane’s very own Scenstr.
Working mainly in acrylic and Posca texters, Debreuil likes the quick drying time of acrylic. Poscas give a continuous flow of paint that is almost impossible to achieve with a brush. Often working with plywood, the surface already has a natural beauty and becomes part of the artwork itself.
Debreuil works in acrylic and Posca on plywood as she feels the natural beauty of the wood is an integral part of the artwork. With a cast of children whose stance and attitude is full of the bravado, nonchalance and swagger of youth Debreuil’s work has a sense of nostalgia and humour.
‘I see kids as these amazing creatures that are perfectly imperfect. I love that they want to hang out with a giant squirrel while wearing a Viking helmet and cowboy boots.’
Debreuil has shown her work in Australia, Canada, Singapore, Hong Kong, and Japan and creates original pieces for gallery shows and private sales and commissioned pieces.
Carmel’s work will be showing at the Brisbane Modern Art Gallery from July 8 – 25. and at the NG Gallery in Chippendale from June 17 to July 5.
Brisbane Modern Art Gallery
Opening Night July 11
7 – 9 pm
July 8 – 25
483 Brunswick St
Fortitude Valley, QLD
(07) 3358 1230
NG Art Gallery
Opening Night June 18
June 17 – July 5, 2014
3 Little Queen St.
(02) 9318 2992
Please visit www.carmeldebreuil.com to view more works by the artist.
The Ian Potter Centre: NGV Australia | 30 May – 19 October 2014 | Admission fees apply
Mid-Century Modern: Australian Furniture Design is the first major exhibition dedicated to Australian furniture of the 1940s to the 1970s; a period of dynamic social change as Australians embraced modern ideals to encapsulate a new, cosmopolitan mode of living characterised by innovative and flexible furniture design.
From Grant Featherston’s plywood Contour range and Clement Meadmore’s welded steel corded chairs, so distinctive of the 1950s, to Gordon Andrews’ elegant 1960s designs for home and office, mid-century furniture design turned its back on the overstuffed and ornate examples of previous decades and, in doing so, revolutionised the contemporary Australian interior.
Mid-Century Modern showcases more than one hundred iconic pieces by these significant figures along with other key designers such as Douglas Snelling, Fred Lowen and Schulim Krimper, and present recreated interior vignettes including a full-scale living room based on the 1955 Age Dream Home.
The exhibition is accompanied by a series of public programs – visit ngv.vic.gov.au for further details.
RAW is back again and this time its REVOLUTION which is being held on Friday, 30th May at Manning Bar in Camperdown.
The night will feature 40+ artists across fashion, hair, makeup, music, visual art, performing art and more!
You can check out the video from their showcase in March below.
The Tokyo Type Directors Club is one of the most prestigious organisations in the field of typography and graphic design. Its annual competition is a touchstone amongst the world’s leading art directors, designers and typographic masters and unique amongst its peers. It celebrates the spirit of typography and encourages and rewards experimentation into both form and language.
This year there were 3500 entries from all over the world. Of these, 300 were selected for the annual and then 120, representing the best of the best, were selected for exhibition.
Two MADA (Monash Art Design & Architecture) students – ex. Honours student Clare Wohinick and recent undergraduate Melanie Blewonski - have been selected for the exhibition and the annual, and a further three students David Morton, Dylan McDonough and Josh McCormack have been selected for the annual.
After appearing at the Ginza Graphic Gallery in Tokyo, the show is now being exhibited in the DDD Gallery in Osaka and will travel to mainland China later this year.
MADA Professor of Design John Warwicker has been judging the Tokyo Type Directors Club for past 10 years:
“More than any similar organisation the Tokyo Type Directors Club is less driven by ‘temporary commercial and market-led concerns’ and is more focused on the timeless craft and art of Typography. Anyone can enter. This year saw some of the best designers world, from Japan, Europe, China and the USA, submit work so it is a remarkable achievement that students from MADA are represented in both the annual and the show.”
“The selected students from the MADA design school are a reflection of MADA’s robust creative culture which engenders excellence across all design disciplines. Global recognition such as the Tokyo Type Directors Club accolades are evidence of this,” says MADA Dean, Shane Murray.